Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Saturday, January 13, 2018

Linguisa Omelette from Paul’s Restaurant & Lounge

Starting a new blog. Writing about something.

Writing about eggs.

Writing about an omelette.

A linguisa omelette from Paul’s Restaurant & Lounge in Vancouver WA. The omelet was okay, but it came with a half order of homemade biscuits and gravy which was really good. But the linguisa was cut up, looked like bits of hotdog. Didn’t taste as exciting as I’d hoped.

But let me tell you about the biscuit. It was a square, like something cut from the pan of a cornbread cake. It tasted real good / had good flavor, and the sausage gravy was thick and yummy. But it wasn’t like an actual biscuit! Then I doused the whole thing with Cholula Hot Sauce, which earned a comment from our waitress, and then who could tell anyway. Not a crumb was wasted.

But this wasn’t our regular joint! So we weren’t used to eating here (right next to the Elbow Room, world famous drinking establishment). It was Bruce, Tom, Tim, Nancy, Neil, Jerry, and me. Seven of us at the table, and the waitress was on her game. She had comments and coffee enough for all of us, and that’s enough of a reason for me to come back again, try it again. Tim had pigs in a blanket, and the waitress had something funny to say about that too … after all, he’s a grown-ass adult.

Our regular spot is Dulin’s cafe, just around the corner from Paul’s, on Main Street. It might be a little better, but it’s also a little pricier. And it’s also a lot more crowded. But Dulin’s was closed today - for maintenance. I’m thinking, maybe best to keep that quiet too.

But of course we’ll be back to Dulin’s. They’ve got a traditional English breakfast that’s really good, even comes with grilled tomato. And an omelette called the French Connection with brie cheese baked inside.

I like having breakfast with these guys. This is a good crew, even though Larry was missing.

The other crew goes to Provecho, an awesome Mexican restaurant. There’s Greg and Richard and sometimes Brian and Reed. A good group of guys. A little too conservative, but they let me hang so that’s cool.

It’s literally (not literally) a hole in the wall establishment, Provecho. They’ve got outside eating, and a sausage and egg burrito that’s to die for. Also, today would have been a perfect day to eat outside. Weather’s just amazing. Instead I’m spending it inside writing a blog, waiting for the NFL games to begin.

And Provecho has this proprietress who always has a snarky comment, and lets Richard ask if they have any leftovers from the night before. Maybe a cup of soup, or a single enchilada. And the chips & salsa cost $6 … but I think they’ll refill them for free. The salsa is always delicious, and the red sauce will make you cry it’s so good. I’ll sometimes get the hiccups after eating too much. Such a gringo!

But back to Paul’s … 

Paul’s almost makes you yearn for the day when you could smoke in a restaurant. There was another party sitting at about 5 tables pushed together with dudes wearing black leather vests with Christian Motorcycle Club patches on the back. Hell’s Angels rejects. Christian badasses.

And there we were, seven of us squeezed together in this makeshift booth. I’m jealous because Tom and Bruce are going down to Mexico next week, and that’s what a lot of our conversation consisted of. And the James Taylor concert soon with Bonnie Raitt. “Oh Mexico, I never really been so I just don’t know.”

End new blog.

Sunday, December 31, 2017

Happy New Year – Hoorah!

So I’ve signed up to be a part of this thing called the Poet Bloggers Revival Tour … I think. At least I think I signed up for it. Anyway, I’m going to try blogging at least once a month starting in 2018, so might as well try to start today. January 31, 2017. Maybe it’s just my way of trying to piggyback onto something larger than me, and so motivate myself to write on a more regular basis.

So to continue, I’m going to be using this opportunity to shamelessly self-promote my book, which I never really did on this blog, Analog Verse.


(See I’m even better at promoting my blog than I am my book.)

But it’s been a good year for me, for my book, for my writing, for poetry. We had a book launch all the way back in January of this year (2017) at Angst Gallery that I didn’t really promote on this blog. Then we had another Portland book launch at Mother Foucault’s Book Shop – that I dind’t really promote. A little bit. But it takes a lot of work to do promotions. (That’s why a lot of companies have their own promotion department, as a paid staffing gig.)

We don’t. Tourane Poetry Press is a very small company run out of Willow Glen, California.

So because I didn’t do the promotion thing, maybe I short-changed my supporting readers who helped me do the whole book-launch thing. So let me begin with that.

At the Angst Gallery book-launch we had Nathan Tompkins, Alex Vigue, Toni Partington, and Jennifer Robin as guest-readers. And we had cake!

It was a very family-friendly affair, my mom brought a cake, my wife brought our children, and a lot of folk from the community showed up as support. Lots of people from my church, Toni Partington’s husband (and the poet laureate of Clark County) Christopher Luna MC’d the event – it was quite overwhelming, and filled me with so much hope. Very lovely. Leah Jackson, the gallery’s proprietor was smiling as it did just what she built the gallery for, to create community and support artists around the Vancouver area.

At the Mother Foucault book launch we had Jennifer Robin (again), Amie Zimmerman, and Mike G. Adam Strong acted as the MC. And again, it was just an amazing night. So to all those artists that helped and inspired and supported and wrote and read and submitted work and were turned away, and turned away, and turned away again … and then finally published, I owe a great debt of appreciation.

I continue to read at the Ghost Town open mic (which continues to be run by Toni and Chris) and also I want to still support Tony’s Talking To, which has now been taken over by Mike G. And the writing community in Portland and Vancouver continues to be lush and amazing. (And I continue to have a big box of books to sell.) And so to all those things continuing in 2018, I say hoorah!

And so to hopping on the Poet Bloggers Revival Tour, I say hoorah!

Hoorah!

Monday, August 15, 2011

Is Adam Sandler Dying?

And does he really make that kind of money? Sheesh …

These are the questions I am left with after watching his 2009 flop, “Funny People.”

Adam Sandler is … is a lot of things, really. I’ve been thinking all morning for the best descriptive phrase as to what Adam Sandler truly is. The sensitive comic. The über-rich, Hollywood insider with a heart of gold. The sad clown. An immature funnyman with a gross sense of humor who is laughing all the way to the bank. A guy’s guy. A chauvinist. An idiot. A fraud. A phony. A sellout. An opportunist. An egomaniac … The waterboy.

He is many things, but the thing that he is most to me is honest. Even when he’s full of shit. Because we’re all full of shit. Every guy. That’s why he’s the guy’s guy comic. But he’s also cute enough and sensitive so that the dame’s might go for him too.

But if you look at his filmography you’ll see it goes like hit, miss, hit, miss, miss, hit, miss, miss, miss, miss, hit. He’s got a lot of misses in there, but only a few hits. So I guess that means he can strike gold if he tries (hard enough and long enough).

But that’s why you have to look at his work, and his individual pieces, in context. Because just look at the list of stinkers … it’s bad:
  • Airheads
  • Billy Madison
  • Happy Gilmore
  • Big Daddy
  • Little Nickie
  • Mr. Deeds
  • Click
  • I Know Pronounce You Chuck and Larry
  • Grown Ups

I mean, that’s an awful list.

But then he’s got some really funny work too:
  • The Waterboy
  • The Wedding Singer
  • Punch-Drunk Love, and now this …
  • Funny People

I mean, “Funny People” did not get good reviews – at all. But I am such a PT Anderson / “Punch-Drunk Love” fan that I really wanted to give this a chance. (And maybe I’m also a closet Sandler fan.) But unfortunately the language in this flick is just filthy – and that is not a good sign for me, it is a hallmark of bad writing – so I had to wait for a time when both my kids were in bed. But eventually I was able to watch it last night.

And what a neat, weird, honest movie that was!

You look at this one I just saw, and by the looks of it he’s hit quite a bit of gold. The character and the actor. The guy in the film is filthy rich, and its pretty disgusting to look at all that wealth and not just totally go, yuck! He’s basically playing himself but with a pseudoname, George. And from here on out, I have to say …

SPOILER ALERT !! SPOILER ALERT !! SPOILER ALERT !! SPOILER ALERT !!

… and the thing about George is that he’s a very successful movie star, making crap movies that kids love (the dolphin-boy, or the boy-dog … that was Sandler making fun of himself and the stupid films he makes – and see that’s why its so difficult to hate him, because he knows he’s making stupid films! And every once in a while he puts out a gem, like Punch-Drunk, or … there really isn’t anything else as good as that. This one was – almost, like the first hour was good like that. But then it became a Sandler movie and we stopped being philosophers thinking about the possibilities of dying and the legacy we might leave behind, and who gives a shit about legacy because isn’t life good enough? Short enough? Precious enough? I mean is it ever long enough for anybody? And where does success stop being self-fulfillment and start being about caring for someone else? And then it gets back to that question about forget it! This guy’s about to die and everything becomes so much more important and vital and precious) and these crap movies have given him everything in the world that you could buy. But he still does not have the one thing that you cannot buy, health. And true love. So I guess that’s two things. But that’s when the movie takes this weird spin and you stop giving a shit for his character and start caring for the Zack Rogen, Seth Rogan, whatever the hell his name is … that character! Because that’s when Sandler learns he does not have the disease anymore. He’s been cured. So then he starts faking people to get the other one true thing that he has not been able to buy, love. And so it’s a weird flick. And it’s not a bad flick. But I did not love it either. I think on a scale of 1 to 5, I would put it somewhere between 3 and 4. (1 being hated it; 2 is I did not like it; 3, it was OK; 4, I liked it; and 5 is Full Metal Jacket-status.) But that’s a good thing we don’t actually have to rank these things that way. In real life, that is. (Even though in real-real life everything is ranked numerically, from 1 to 10.) But this is a good movie. How do I know? Because at 2-1/2 hours I was able to sit through the whole thing and not fall asleep. Which is something “The Gladiator” could not do. This movie kept my interest the whole way through. And so this movie, which could be a French philosopher’s thesis paper, turns out to be a rather mixed bag. Just like who Adam Sandler, the actor/writer/producer, is.

And then if we go back and look at that list of stinker Adam Sandler films, there is a lot there that people will swear by. Especially “Billy Madison” and “Happy Gilmore.” They are both coming of age-style flicks with that immature, grossout Sandler sense of humor that has made him a lot of money. But they both also have a lot of charm with that self-deprecating humor.

And so this movie, “Funny People,” is a success too because it does what it is supposed to do – entertain and make us think at the same time.

Sunday, July 24, 2011

SHOE SHINE BOYS - Cinequest Film Festival 2001

Originally published in the Cinequest Film Festival 2001 program for Cinequest Film Festival 11, San Jose's annual maverick film festival.


It was just supposed to be a harmless prank: Steal the Olympic Torch from local sports celebrity Sue Sue Robinson before she is able to make the relay. Then Eddie and Matt, a. k. a. Johnny Murder, can hold it for ransom under the coverage of the entire world's media. A sure shot at instant fame. Only one problem – Mrs. Robinson won't let go, and Eddie and Matt end up with a hostage in one of the worst comical foul-ups ever. First-time director Mikki Allen Willis wrote, produced, and directed this incredibly hip and stylish comedy of errors. Described as "a black comedy by white trash for all colors," Shoe Shine Boys explores the American desire for fame and the lengths to which people will go to finally be recognized. Featuring Hank the Angry Drunken Dwarf (of The Howard Stern Show fame) as a registered sex offender, and weaving the story through a series of flashbacks, Willis delightfully directs this dysfunctional film as it builds to a momentous ending. –Ian Caton. "Absolutely brilliant! ... I love it. This is one of the most unique American films I've ever seen!" –Martin Landau. "Hilarious and disturbing!" –Daily Variety.