Tuesday, August 16, 2011


Originally published in Leaf by Leaf, Spring 1998, Copyright © 1998 by Sterling Warner – Evergreen Valley College – Simon & Schuster Custom Publishing

whole worlds were lost because of it
spelled out in the grains of sand
forever stretching out above our heads
conjures up such images

it’s where it got me last time
underneath the bridge, diving
those dumpsters behind the pizza parlor
searching for an answer

rain was falling hard that day
I remember, the hole inside
my head, cold wet and blind, rushing to
and waking up inside a cage

it’s where it got me last time
locked up in the rehab
spoon fed, force fed, promises and visions
borders, walls and freedom

whole worlds were gained because of it
spelled out in the grains of sand
forever stretching out above our heads
conjures up such images

Monday, August 15, 2011

Is Adam Sandler Dying?

And does he really make that kind of money? Sheesh …

These are the questions I am left with after watching his 2009 flop, “Funny People.”

Adam Sandler is … is a lot of things, really. I’ve been thinking all morning for the best descriptive phrase as to what Adam Sandler truly is. The sensitive comic. The über-rich, Hollywood insider with a heart of gold. The sad clown. An immature funnyman with a gross sense of humor who is laughing all the way to the bank. A guy’s guy. A chauvinist. An idiot. A fraud. A phony. A sellout. An opportunist. An egomaniac … The waterboy.

He is many things, but the thing that he is most to me is honest. Even when he’s full of shit. Because we’re all full of shit. Every guy. That’s why he’s the guy’s guy comic. But he’s also cute enough and sensitive so that the dame’s might go for him too.

But if you look at his filmography you’ll see it goes like hit, miss, hit, miss, miss, hit, miss, miss, miss, miss, hit. He’s got a lot of misses in there, but only a few hits. So I guess that means he can strike gold if he tries (hard enough and long enough).

But that’s why you have to look at his work, and his individual pieces, in context. Because just look at the list of stinkers … it’s bad:
  • Airheads
  • Billy Madison
  • Happy Gilmore
  • Big Daddy
  • Little Nickie
  • Mr. Deeds
  • Click
  • I Know Pronounce You Chuck and Larry
  • Grown Ups

I mean, that’s an awful list.

But then he’s got some really funny work too:
  • The Waterboy
  • The Wedding Singer
  • Punch-Drunk Love, and now this …
  • Funny People

I mean, “Funny People” did not get good reviews – at all. But I am such a PT Anderson / “Punch-Drunk Love” fan that I really wanted to give this a chance. (And maybe I’m also a closet Sandler fan.) But unfortunately the language in this flick is just filthy – and that is not a good sign for me, it is a hallmark of bad writing – so I had to wait for a time when both my kids were in bed. But eventually I was able to watch it last night.

And what a neat, weird, honest movie that was!

You look at this one I just saw, and by the looks of it he’s hit quite a bit of gold. The character and the actor. The guy in the film is filthy rich, and its pretty disgusting to look at all that wealth and not just totally go, yuck! He’s basically playing himself but with a pseudoname, George. And from here on out, I have to say …


… and the thing about George is that he’s a very successful movie star, making crap movies that kids love (the dolphin-boy, or the boy-dog … that was Sandler making fun of himself and the stupid films he makes – and see that’s why its so difficult to hate him, because he knows he’s making stupid films! And every once in a while he puts out a gem, like Punch-Drunk, or … there really isn’t anything else as good as that. This one was – almost, like the first hour was good like that. But then it became a Sandler movie and we stopped being philosophers thinking about the possibilities of dying and the legacy we might leave behind, and who gives a shit about legacy because isn’t life good enough? Short enough? Precious enough? I mean is it ever long enough for anybody? And where does success stop being self-fulfillment and start being about caring for someone else? And then it gets back to that question about forget it! This guy’s about to die and everything becomes so much more important and vital and precious) and these crap movies have given him everything in the world that you could buy. But he still does not have the one thing that you cannot buy, health. And true love. So I guess that’s two things. But that’s when the movie takes this weird spin and you stop giving a shit for his character and start caring for the Zack Rogen, Seth Rogan, whatever the hell his name is … that character! Because that’s when Sandler learns he does not have the disease anymore. He’s been cured. So then he starts faking people to get the other one true thing that he has not been able to buy, love. And so it’s a weird flick. And it’s not a bad flick. But I did not love it either. I think on a scale of 1 to 5, I would put it somewhere between 3 and 4. (1 being hated it; 2 is I did not like it; 3, it was OK; 4, I liked it; and 5 is Full Metal Jacket-status.) But that’s a good thing we don’t actually have to rank these things that way. In real life, that is. (Even though in real-real life everything is ranked numerically, from 1 to 10.) But this is a good movie. How do I know? Because at 2-1/2 hours I was able to sit through the whole thing and not fall asleep. Which is something “The Gladiator” could not do. This movie kept my interest the whole way through. And so this movie, which could be a French philosopher’s thesis paper, turns out to be a rather mixed bag. Just like who Adam Sandler, the actor/writer/producer, is.

And then if we go back and look at that list of stinker Adam Sandler films, there is a lot there that people will swear by. Especially “Billy Madison” and “Happy Gilmore.” They are both coming of age-style flicks with that immature, grossout Sandler sense of humor that has made him a lot of money. But they both also have a lot of charm with that self-deprecating humor.

And so this movie, “Funny People,” is a success too because it does what it is supposed to do – entertain and make us think at the same time.

Sunday, July 24, 2011

SHOE SHINE BOYS - Cinequest Film Festival 2001

Originally published in the Cinequest Film Festival 2001 program for Cinequest Film Festival 11, San Jose's annual maverick film festival.

It was just supposed to be a harmless prank: Steal the Olympic Torch from local sports celebrity Sue Sue Robinson before she is able to make the relay. Then Eddie and Matt, a. k. a. Johnny Murder, can hold it for ransom under the coverage of the entire world's media. A sure shot at instant fame. Only one problem – Mrs. Robinson won't let go, and Eddie and Matt end up with a hostage in one of the worst comical foul-ups ever. First-time director Mikki Allen Willis wrote, produced, and directed this incredibly hip and stylish comedy of errors. Described as "a black comedy by white trash for all colors," Shoe Shine Boys explores the American desire for fame and the lengths to which people will go to finally be recognized. Featuring Hank the Angry Drunken Dwarf (of The Howard Stern Show fame) as a registered sex offender, and weaving the story through a series of flashbacks, Willis delightfully directs this dysfunctional film as it builds to a momentous ending. –Ian Caton. "Absolutely brilliant! ... I love it. This is one of the most unique American films I've ever seen!" –Martin Landau. "Hilarious and disturbing!" –Daily Variety.

Thursday, July 21, 2011

I Will Not Pay $$$ to be Considered for Publication in your Journal

I see this time and again, and I don’t know what the answer is. It’s a little disheartening if you ask me. To have to pay a submission fee to be considered for publication in some journal. To pay a group of editors a reading fee. To be part of that Ponzi scheme, that you might consider putting my work in print. I just won’t do it.

I don’t have the money, there’s a recession going on, I am not one of the top 2%-ers that gets to skip out on paying taxes, and I’ve got children to feed, my wife is going to school, we are a 1-income family, and it’s getting time to start thinking about new school clothes for the kids next fall, plus with the price of gas nowadays, I just refuse to pay to have you consider if my work is suitable for publication.

I’m not even tithing at my church right now, and you want me to pay to have you read my stuff.

I see it all the time, a Call for Submissions, please include SASE plus $12 reading fee. Or in lieu of paying the fee you can purchase a half dozen of our issues on back order. Please make checks payable to Scheme, Ponzi – C/O: your work is not good enough to read without being paid to do it.

But there’s still no guarantee we will publish your last short story. Please remember, we always take extra consideration for alumni submissions. The Legacy Author is one we hold in high esteem. Or if you’ve ever been on the New York Times Sunday Book Review, or had a reality show on FOX, or been fired by Donald Trump, or slept with John Edwards, or had any sort of brush with fame which might increase our annual subscription rate – have you ever danced with any stars? – we just might be able to improve your chances of seeing your work in print.

But I make it a point, that I will not pay to have you consider my work for publication in your journal.

I know we all have to make a living and that money does not grow on trees and that just because you are a non-profit organization, it does not mean your CEO should not have a take-home pay of something in the 6 figures. Everybody’s got to eat! And my baby needs new shoes. But I just won’t pay your reading fees to have you consider my work for publication.

Call it chutzpah, or pride, if you will. Maybe it’s my false sense if integrity. Maybe its my strong moral fiber reinforced by years in the Boy Scouts, the Small Catechism, confirmation at 15, years at Private School, and my Judeo-Christian upbringing. Or perhaps its just pure arrogance, but I refuse to pay you anything to have you judge whether my work is suitable for publication in your journal. Plus I just haven’t got the $$$.

And so that’s why I continue to write here on this blog.

Sunday, July 17, 2011


Originally published in Reed Magazine 2002, A Journal of Poetry & Prose, Vol. 55. Copyright © 2002 – San Jose State University

and the drip, drip, drop
of the drops from the sky
so grey and so clean
sends shivers, my spine
(and) i’m with you in this dream
as together we lie
bearing our souls so naked
and imperfect
how i feel so warm
so pure and so blue
as i breathe it in deep
your red and your pink
the scent of the salt in your ocean so wide
take me out to sea
with the tide, won’t you take me out to sea?

and the drops, still they fall
gently tapping on my brow
dripping now this moisture, sweat
as damp turns to wet, so profound
these feelings that i have for you
how can i begin to explain this kind of love?
the ocean’s deep
and so it’s wide
the ocean’s deep and so it’s wide
you can not ever stop the tide
and my love is like that ocean

Friday, July 15, 2011


This is the setlist of a Placentapede show at the Know, in Portland OR, from November 2009.

Guitar, with amp
Bass, with amp
Drum kit with cymbals
PA with speakers, microphones
Tape deck with found recordings
Various percussion instruments

The set will be 20 to 30 minutes in length.

It begins with a recording of scary movie sounds playing on the tapedeck through the PA. Adjusting tone for optimal sound. Extreme volumes are not needed.

The sampler is capturing ambient sounds and running them through the PA.

A microphone from the club’s PA is placed infront of one of our speakers.

The synthesizer is programmed to create some arpeggiator.

The bass guitar is turned on for low frequency. Feedback ensues.

The guitar is turned on for feedback leads.

Volume levels are very measured.

The tape is flipped, a new tape put on.

The musicians meditate on the drone produced, keeping it simple, minimal, expressive.

Aural conversation takes place.

Random musical energy is created.

Excitement crescendos.

The set ends; the tape plays through.

Friday, July 1, 2011

Exhausted, or ... Why I Was Absent from Class, Sick Like a Dog & Was Even Forced to Quit Smoking, Sleeping 36 Hours in 2 Days, the Week of 9/11/01

Originally published in Reed Magazine 2002, A Journal of Poetry & Prose, Vol. 55. Copyright © 2002 – San Jose State University

timeless sleep, with rash
and fever, too much smoking
New York toppled me

Sunday, June 26, 2011

Escape from Italy, or ... No Fear and Loathing in the Rome of the North

Originally published in SHADOW BOXING: Art and Craft in Creative Nonfiction by Kristen Iversen. Copyright © 2004 – Pearson Prentice Hall

I’m not sure if I had five minutes or an hour of sleep, or if I had even slept at all, but when I opened my eyes and looked down below it was a welcome sight to see those gray overcast skies above the vast, green, plains surrounded by walls of tall, slender, perfectly-vertical trees, standing in rigid obedience to the cold vigor of Frankfurt.
“Jonathan, look. Frankfurt,” I said.
Jonathan Reagan, my attorney, sat with his chin tucked into his chest, his eyes peacefully closed, hands in his lap and clasped, holding onto his wire-frame spectacles. He was wearing dark blue corduroy slacks, a huge Versace necktie and three days worth of beard on his chin. Caked into the corner of his lip was a white spot of dried saliva. It was just after ten in the A.M. He looked like he could use a drink.
“Huh?” he said, his eyes still closed.
I, on the other hand, never drank in such situations. What we needed was a plan. We were now in Frankfurt after having narrowly escaped with our lives from the thugs and the secret police of Rome. They had chased us from our hotel, waving cleavers and clutching at carbon papers of unpaid bills, with the proprietor’s daughter dressed in bare feet and a torn nightgown, crying, pointing at us, screaming something unintelligible in Italian, her long dark hair upturned.
We jumped into the nearest Metro station, EUR Fermi, losing the hired help in the insane crowds that fought to get into this already-packed underground tram. We really had no idea where we were going. It took us south, just to the next stop, Laurentina, and then we hopped back onto the next northbound tram – just to throw them off our trail.
And it worked. For a while.
We rode up to Roma Termi. We had to get the hell out of Dodge, and fast. I had no idea what they were angry about – something my attorney must have done. My lawyer was always feeding women with lies, and they usually worked. This time it got us a master suite in the Oikos Grandé – it wasn’t my fault all the credit cards I had given them had been declined. If I hadn’t had all of my cash stolen in their establishment in the first place, then we’d never have had to go down the unrecompensed liability route at all. (At least that’s what it translated to in my pocket Italian-Made-Easy dictionary.) My lawyer had assured them all that I was in good standing. And they had all taken his word. Even her.
“Look Jonathan, Frankfurt.” And there it was, right out our window: Germany. Safety. And he didn’t seem to give a damn.
From Roma Termi we took the first express train available to Pisa where we had booked a flight out of that Mediterranean hellhole. I was smoking a Corona and hiding behind an Italian copy of FHM, my lawyer a copy of GQ – although neither of us could read Italian. The articles weren’t too difficult to follow. Agents in mirrored aviator glasses stalked the terminal, communicating with hidden microphones and tiny earplugs, and it wasn’t until the last possible minute – after the conductor cried, “Andiamo!” – that we jumped unnoticed onto our car. At my lawyer’s insistence we had booked coach so as not to look too obvious.
But once we had arrived at Pisa Centrale it was close to 12:30 at night and no taxi could be found anywhere. What we needed was a place to sleep, and the airport was supposed to be that, so we hoofed it the two and a half miles to Pisa International – which happened to be closed for the night.
“Oh shit, Jonathan. You never told me this might happen. I want new counsel!” I demanded. I had never heard of an international airport closing at night – and obviously, neither had he.
The automatic doors were all bolted shut and from inside a sawing, scraping, high-pitched whirring sound could be heard. The night custodians were busy inside buffing the marble floors. There was no way we could get in. And even if we could have, there was no way we were getting any sleep in there with all that racket going on. I knew as well as he that a law suit in this violate, lawless country would only prove futile – this was, after all, where all the great Spaghetti Westerns were filmed. Here, only the strong survived. The weak were stepped on and starved. Or froze. At this time it was approaching 1:30 and we had no accommodations for the night.
“As your attorney, I advise you to use your bag as a pillow,” Jonathan said, taking command of this situation. “Make yourself as comfortable as possible on a bench for the night. There, over there,” he pointed. “There’s two green benches. Those should be acceptable for the next couple of hours. At least until 5:30 or so. Hell, it’s not even that cold.” Then he added, “Plus it’ll make for some good reading for your travel writing.”
“Right. Travel writing,” I agreed.  “This should be perfect.” We grabbed our bags and headed over to the benches, not yet freezing in this Mediterranean night air. “ ‘The worst trips make the best reading’,” I said, quoting Paul Theroux. “This should make one helluva story.”
Theroux says that good travel writing takes health, strength and confidence. Well, I had plenty of health, and my strength was still holding up – after my lawyer had advised that we stuff our faces with McDonalds hamburgers back at Roma Termi before hopping the train – but my confidence at this time was waning. This wasn’t what I had bargained for at all. But Theroux also says that “half of travel was delay or nuisance.” Well this must’ve been exactly what he was talking about. Here we were, Jonathan Reagan and I, hiding out from the mob, trying to lie down on these flimsy green metal benches and catch a few hours of sleep before checking in for our flight.  Sleep was just what my attorney had ordered, so we could deal with the next 24 hours in relative sanity. I set my alarm clock for 5:30, placed it in my jacket pocket, clutched my bag-like-pillow, shut my eyes and tried my best to overcome the discomfort of that metal bench … and sleep. At least for a little while.
But the bench wasn’t big enough for me. Or I was too big for it. I tried my side. I tried my back. I even tried my other side, but this bench wasn’t going to work. I tried the ground, but after a short while the pavement began to feel like a meat locker. Then I tried to just sit on the beach and lean against my bag … but the night quickly got much colder.
Italy is like an island, out in the middle of the Mediterranean, and those sea breezes began to cut through all my layers of clothing. I was shivering, chattering my teeth.
“Jonathan. Are you asleep?” I asked.
“What the hell?” I didn’t know what kind of response I would get from that profound remark. But after a bit he replied:
“As your attorney I advise you to get some sleep.”
“I think I’m going to be looking for some new counsel pretty soon.” He knew I was just bluffing. I didn’t need another lawyer. What I needed was some hot chicken soup, a warm bath and a soft bed. I got out my travel journal and started writing.

In the Eighteenth Century, when exploration was still possible, Edward Gibbon wrote that a travel writer ought to be “endowed with an active, indefatigable vigor of mind and body, which can … support, with a careless smile, every hardship of the road, the weather, or the inn.” I guess that would include Ryanair, where we got our tickets out of Pisa. Even getting to Pisa, using Ryanair, we had to use an airport named London Stansted that is so far from London it should be renamed simply Stansted.  It took us an hour and a half to get to London Stansted, on a coach, from
Leicester Square
, at 2:05 in the morning. With zero traffic. We didn’t arrive until after 3:30 in the morning. But once there, we at least got to sleep in the airport for a few hours, with a good number of other early morning travelers.
It’s like saying it’s Los Angeles Airport but flying out from Anaheim. Or San Diego. It’s that far. So finding the Pisa International Airport closed at night shouldn’t have been that big of a surprise to us. But in my life I’ve never heard of an international airport closing at night. It was like a big joke to me – or on me – and the punch line being, “Yeah, I was flying Ryanair.”
Browsing through my travel journal for a good quote or a tid-bit of information that would brighten my spirits I came across another quote by Theroux: “The truth of travel was unexpected and off-key, and few people ever wrote about it. … Travel had to do with movement and truth, with trying everything, offering yourself to experience and then reporting it.”
There’s a lot invested there, in the Truth. Truth with a capitol T. And where was I in all that Truth? What was my part in that Truth?
And then it all came back to me: Why I was here, what we were doing, where we were going, what our plan had been all along. Truth is we were flying into Frankfurt Hahn to catch a train to Bremen so that we could visit with my old friend Holger Klein. I had been on assignment from San Jose State’s Reed Magazine, the oldest literary magazine west of the Mississippi, with my attorney, so that I could cover the Easter holiday in Rome – but something had gone terribly wrong. The local mob in Rome weren’t going to rest until they saw us dead – or worse. So we were headed up to Bremen, the Rome of the North.
No, that’s not right either. Truth is, Jonathan wasn’t exactly my lawyer. He and I were both SJSU students, on an exchange program with CAPA, living in England for a semester, and traveling through Europe for the Spring Break. What with all my travel reading for class, our substantial lack of sleep from staying at the hostel in Rome, and a healthy influence of Hunter S. Thompson, we were both feeling a little screwy. But he could very well have been my lawyer. And one day when he graduates, he just might be my lawyer. Time will tell.
Still though, Truth is (with a capitol T), that that night in Pisa we had about 90 minutes of sleep back at the train station waiting area, where we had walked back to after finding Pisa International closed for the night … after freezing on a park bench for two hours in front of the airport. At least the train station waiting area was indoors. They had no heat, but there was no wind either. And at around two in the morning, with the wind coming right off the Mediterranean and putting the Chill (with a capitol C) into the both of us, Jonathan Reagan and I, two university students, traveling around Europe together on Spring Break, by train, coach, boat, bicycle, car, foot, subway – and of course, Ryanair, where every trip is an adventure – had decided to adventure our collective asses back to the train station for an hour or two of shut eye.
The truth is that we were now finally coming into Germany after having had maybe just two hours of sleep for the night. And we were coming from Rome, where in approximately 72 hours we had combed the entire city, had seen virtually everything, staying at our cute little hostel, the Oikos Grandé, and sleeping as little as possible. Now finally in Germany, we were both completely exhausted. But it felt good getting into Germany.
“Jonathan, look. Frankfurt.”
Still no reply.
“Sir, you’re going to have to fasten your seat belt,” said the stewardess to Jonathan. “We’re coming in for a landing.”
“Oh, yeah. Thanks,” he said.

In this age of Post-Tourism that Paul Fussell writes about, I was set to prove, or at least to find out, that using trains and small-market airlines, genuine travel was still possible. And with Ryanair, exploration and adventure is just a flight away. Frankfurt Hahn was another of those Ryanair-trick airports. It took us another coach to get into Frankfurt proper where we were to catch our train, at the Hauptbahnhof. And it cost eleven Euros.
Eleven Euros! I was enraged.
Jonathan got in ahead of me.
“Eleven Euros?” I asked the driver.
I gave him a few colorful notes of different sizes and then sat down next to Jonathan. “Shit, this better be a long ride.” I’d better be careful what I wish for, I thought.
The coach eventually got us to the Hauptbahnhof, past Frankfurt-am-Main, which was where we were actually supposed to catch our train. We found this out from a kind, English-speaking German who worked behind the Information desk at the Frankfurt Hauptbahnhof. (There seemed to be many kind, English-speaking Germans.) He told us, in very good English, that all we had to do was catch the next train to Frankfurt-am-Main where we would then transfer and catch the following train up into Bremen. We would only be an hour behind our original schedule.
But still, we had thirty minutes to kill and there was another McDonalds to try, so we both had Royals with Cheese, á la Pulp Fiction, with plenty of mayonnaise. The Germans love their mayonnaise.
Feeling unfulfilled, I then purchased my first real German bratwurst. It was a Kodak moment.

The train ride to Bremen was a long, luxurious trip that took just over five hours. It made a sweeping arc along the map, east and then up north, following the massive Rhein, past Mainz, and up to Koblenz, and then to Bonn, on the other side of the river, and up into Köln, where they did their farming on sheer vertical slopes of the mountain, sectioning off giant areas of the black cliffs, and then veering back over to Düsseldorf, and into Duisburg, moving north-westerly now, away from the river, up to Essen and Bochum and Dortmund, and then north up into Münster, picking up speed here as the stops got farther away from each other, and up into Osnabrück, and finally Bremen.
I was able to compare the luxurious German trains to the old spaghetti-western trains throughout Italy. In Italy, you have to be sure to sit in one of the front cars, as the back cars have a tendency to unfasten and be taxied away by another engine – to where, and for what reason, I know not. Only that the kind attendant told us in his best broken English, when we left for Pisa, that we had to move up to the first or second cars. The others, he said, were going. “Gone,” he said. “Soon. You. Move. Up to front. One or two. Others gone.” This was all new information for me. Nobody had ever written about that, as far as I knew. And in fact, another friend of mine, who had traveled extensively throughout Italy during his Spring Break, had had the experience of winding up in Venice when he was originally headed for Florence. His car had simply detached while he slept, and when he woke up, there was water everywhere!
But besides being more comfortable, and having better cafés, and having the first class sections marked clearly and separate from the coach seating, the trains in Germany were also faster. Traveling to Rome we had accidentally sat in the wrong section and were forced to pay fourteen Euros extra, or else be shipped back to America … or worse, Canada. But the differences between the seats were very minimal. In fact, I would have rather been in coach the entire time, because there you get your own individual cabin with windows and curtains. In Germany, though, first class seating was like the difference between riding in a Mercedes Benz or in a Volkswagen Bus. An air cooled Volkswagen Bus.
Once in Bremen, I began to wonder how we would find my friend Holger. Previously, I had sent him some e-mails, letting him know I had been in England and was looking forward to visiting him in Germany, and the first few messages he had responded to. But the last one I had sent, that said when we were coming, and for how long, he never replied to.
The Bremen Hauptbahnhof is a large building with almost a shopping mall-like atmosphere. We had found out which side of the station to exit from by walking out of the wrong side. We left from the back where a giant Easter carnival, called the Osterwiese, was set up. They had roller coasters and fun houses and games and food courts and biergartens everywhere. The bright lights of the Ferris wheel and merry-go-rounds and the thumping Bavarian music, the sounds of screams from the people on the whirligigs were all inviting, but our first priority was getting to Holger’s flat.
I had a map from the internet, and another, more detailed one that I bought in the Frankfurt Hauptbahnhof, but I wasn’t entirely sure if my friend would be home. The last time I had seen him was about a year earlier when he had stopped by my house in San Jose, unannounced, on his way to Hawaii to go wind surfing – but first he had had a couple of days to kill in San Jose. I had had some time off myself, so we had driven over to Santa Cruz to check out the ocean then, driving north on Highway 1, looking for unpopulated beaches to explore. That was when he had told me to come to Bremen anytime – they saw very few Americans there.
So Jonathan and I started for Holger’s place, which I figured was about a mile and a half from the Hauptbahnhof, on Osterdeich, right next to the Weser River. My maps proved to be impeccable and my sense of direction faultless, this time, and very shortly we were standing in front of his flat. Well this is it, I thought. If he’s not here we can always stay in a hostel.
I opened the front door to see a line of doorbells, one of them with the name “Holger Klein” neatly typed next to it. I rang it. I looked at Jonathan and smiled. He looked to me very tired. His blonde hair, normally parted sharply, was ragged at best. He had dark bags under his eyes. And he definitely needed a shave. Shit, I could use a shave. And a shower. I hope he’s here.
I rang the bell a second time.
“Hallo?” came a voice from the speaker.
“Hello? Holger? It’s me, Ian!”
“Oh. Just a minute,” came his sleepy response, and then a BUZZ! as the door was unlocked. We opened it and climbed the long spiral staircase toward the very top.
“God damn, Holger. You live in the penthouse!” I exclaimed when I reached him.
“Yeah, I guess so.”
I gave him a hug.
“This is my friend Jonathan. Jonathan, Holger.”
They shook hands and then he welcomed us in.
“I was going to send you an e-mail and ask when you were going to come,” said Holger.
“Didn’t you get my last e-mail?” I asked stupidly. Of course not. Then he would have responded. “Well, umm, is it all right if we stay here for a while?”
“Oh yeah, I just have to check with my roommates. They’re downstairs right now. Can I get you something to drink? Beer? Water?”
“Yeah, I’ll take a water. You want something Jonathan?”
“Yeah, water’s good.”
When Holger left for beverages, Jonathan turned to me, suddenly awake now, his eyes fierce and bright, and said, “You mean! – he didn’t know! – we were coming here?!”
What could I say? I shrugged. “Well he knew we were coming. I sent him an e-mail. I guess he just didn’t know when.”
Holger came back with a pitcher of water and three glasses and we were set, comfortably finally, sitting on his little white sofa and listening to some music, talking about our trip, shoes off.
That night, Jonathan and I both slept for a complete 12 hours, right around the clock, dreaming about chocolate and girls in lederhosen and what exactly we would do now that we were in Germany.

Wednesday, June 22, 2011

A Blog Is Not A Book

To define what a blog is, it might be best to first determine what a blog is not. A blog is not a book. It is not a comic book, a magazine, or a novel. It is not a ‘zine, or a journal, or a diary. But it can be all of those.

A blog can host pictures, though I’m still learning how. (And why, exactly?) It can contain music, provided by an outside audio distribution platform like SoundCloud or ­­­­ReverbNation, and even short films and videos from YouTube and QuickTime, I think.

The limits are very few.

But you cannot cuddle up on your couch with a blog. Well, unless you have one of those tablet PC’s. Or one of those smart phones that you actually need to squint or wear glasses to see.

Recently the frequency of my blogging has been extreme. When I started this I had this mad need to get my whole Chapbook published as quick as possible. But I wanted to stretch it out a bit, and so only published one a day, four or five times a week, until I had all 27 poems on line.

But now that I’ve finished, I wonder what exactly I will do with this blog.

It came to me while watching the Facebook movie that a blog is actually a legitimate means of selfpublishing. The Mark Zuckerbeg character had this blog that he was working on while simultaneously creating his first version of the Facebook for Harvard. (Great scene where the twin-fratboys are amazed and pissed at how he could create this thing all in one night, all while ripping into his ex- on a blog. “A guy who builds a nice chair doesn’t owe money to everyone who ever has built a chair.”)

Publish or die, the mantra that was instilled in me under Chris Fink’s tutelage while at San Jose State. A blog could be just as vital for me. Sort of like those punk rock ‘zines from the 80’s and 90’s. Or like the underground comix of R. Crumb and H. Kurtzman, the early MAD Magazines, or Frank Kozik and Charles Bukowski, lowbrow fiction and poetry – Keep on Truckin’. The counterculture stuff. The Grateful Dead. And that punk rock attitude, do it yourself. There’s nobody to stop me from publishing a blog … except me.

And so I did it.

I figure, a blog takes the best of DIY publishing and marries it to the technology of the 21st Century. And now that its no longer fashionable, not like 10 years ago when it seemed like everyone had a blog, it seems to me like something I could really get into!

But man, there’s some awful blogs out there. Some blogs you read, they have their daily post, their weekly post, whatever, and all it is is some fortune cookie philosophy or some bumpersticker quote – Save the Whales, or This is the First Day of the Rest of Your Life. Or some droll like that. Or a picture of a dead Osama bin Laden. Whoopee … can’t you just post that to your Facebook page? Why waste a whole blog to show that, to say that? Was it necessary? Who did it help?

Not that I want my blog to be the next Ulysses – or even in the same league with Bukowski and R. Crumb. But I do not want to let it descend into some superficial ego-feeding thing that could just as easily become my next fb status. And I do not want it to become an on-line diary so some nutcase from Rochester can follow what I had for breakfast and what I did over the weekend and what my kids are up to. That’s not what this is for.

And now I’ve gone back to defining what my blog is by defining what it is not.

Droll …

Monday, June 20, 2011

Facebook Author Page

So today I went and did it. Influenced by a blog I've been reading, No Smoking Penguins: Why Authors, Poets, & Writers should have a Facebook page ...  from Kelli Russell Agodon's "Book of Kells," I started a Facebook author page.

I don't know what make of this whole Facebook author thing, but I am published in some college literary journals and I have a shortstory published in a book. So I think I might use this blog to show off those works, and to possibly interest anyone else who might care to publish my stuff. I am working on a Rock and Roll Murder Mystery story, and a memoir piece that has plans to become actually more fiction than memoir (but where does the line cross, Oprah?) about a pest control technician who stumbles upon a mystery. And I have some other ideas too. Maybe this blog will keep me more focused on one project so I can get that one completed?

And then when I want to shop it around, I can show any prospective publishers this easy collection of my work.

My fb author page can be found here, Ian Frederick Caton. Perhaps you'd care to click Like ??

And so that's all for now, folks. I have a forthcoming blog about the nature of blogs, and why it is that I've started one. It seems to me a very interesting thing. Whatever this thing is. It is not a book, it is not a fb profile, it is not an online journal (or is it?). No, I think at its very best it is something much more ... and different. But I don't know exactly what yet.

And will it survive the Endtimes?

More to come, stay tuned. But until then please feel free to read my Chapbook, "In 2's and 3's" – asta!

Monday, May 16, 2011

Drink the Kool-Aid

So as this is a blog, in the spirit of blogging I’ll include some completely selfindulgent journalistic entries that I wouldn’t think anyone to ever publish. And so I’ll publish it myself.

Gaah – there is some serious crap out there in the blogosphere that is supposed to amount to people’s work. I guess, if there is a market for reading journal entries this would be it – at least it’s free. You don’t have to pay to read what I am putting down here, and that is a good thing. I guess. Goes with the dogma of those free punk rock ‘zines from back in the 80’s and 90’s. Which is one of my biggest inspirations to starting a blog.

The other is my unemployed friend Mark who is quite the writer. He tells me its good to have a blog like this showcasing some of my work, in case any prospective publishers are looking at my stuff.

I feel like the last person in the world with a blog. Like it’s a dying fad that I’m jumping on. I remember 10 years ago it was all the rage. Or so it seemed. And that happened to coincide with when I was a student at San Jose State. So maybe that says something right there. I can hope that blogging is still relevant and newsworthy in the academic community.

But that goes to the part of the writer, or blogger, who asks himself – who is my audience? Well, right now I think I have an audience of 1. Me. I don’t think I have any “followers” yet. (I really hate that term, followers. Makes me feel like a Jim Jones-type cult leader – read my stuff, drink the Kool-Aid.)

Jump in, the water’s fine down here …